I haven’t done one of these in awhile, mainly because I’m now an “official” reviewer for Fresh Fiction (bomb diggity!).
What that means for you is you’ll have to go there for my more timely reviews. I’ll see if I can keep this up (I’m working two and a half jobs, so cut me a little slack).
I’m a quick reader. I average about 250-300 words per minute. This is not speed reading. I read and process every word on the page. Look at it this way: If you talk the 10,000 hour rule of expertise that was laid out in Outliers by Malcolm Gladwell, I am an expert reader twice over. At least.
But, I digress.
Every once in awhile I come across a book that makes me want to read slower. It’s like good chocolate. You want let it rest on your tongue, melt down, let all the rich flavor come out in order for you to savor just how good it is.
Daughter of Smoke and Bone is good chocolate.
(like it’s so good, it’s bad for you)
Daughter of Smoke and Bone
This is one of my top books of 2011. I should put a summary here. I just don’t think it will really do it justice. Let me try a cut and paste for Laini Taylor‘s website.
“Around the world, black handprints are appearing on doorways, scorched there by winged strangers who have crept through a slit in the sky.
In a dark and dusty shop, a devil’s supply of human teeth grown dangerously low.
And in the tangled lanes of Prague, a young art student is about to be caught up in a brutal otherwordly war.
Meet Karou. She fills her sketchbooks with monsters that may or may not be real; she’s prone to disappearing on mysterious “errands”; she speaks many languages–not all of them human; and her bright blue hair actually grows out of her head that color. Who is she? That is the question that haunts her, and she’s about to find out.
When one of the strangers–beautiful, haunted Akiva–fixes his fire-colored eyes on her in an alley in Marrakesh, the result is blood and starlight, secrets unveiled, and a star-crossed love whose roots drink deep of a violent past. But will Karou live to regret learning the truth about herself?”
While it seems that angel/human/devil has been a trend in YA literature (minor-trend? subtrend?), this does not fall into that category. Taylor constructs a parallel world where these creatures are actual species and tribes, unconcerned with acquiring human souls. Instead, they are locked in a war. One race fights for freedom, the other fights for vengeance. Karou was raised by a chimaera, Brimstone, who spends his days collecting teeth for mysterious reasons.
Karou is his errand girl, a human girl collecting teeth. For her troubles, she is granted scuppies and shings, a currency that can be traded in for wishes.
There is something about this book that is carnal and violent, while still being subtle and beautiful. The ending has a winding quality as memories unravel, circling back upon themselves to reveal the new and the known.
The world is complex. The voice is liquid. I’m going to defer to the ladies at Coffee Talk for this one.
In the first 10 pages, Karou’s ex-boyfriend ambushes her on the street, revealing that Karou is impossible to scare. Immediately after, he shows up in her art class as a model. You know. In the traditional sense.
There is no better way to show how narcissistic (and possibly sadistic) someone is.
The way Karou handles the situation is quite satisfying.
Unfortunately for you, I borrowed the book. If not, I would have had some sort of giveaway, but, alas, it is not mine to give. If you’ve read it, let me know what you think.
Do you ever feel like someone is watching you?
I’m talking about something more frightening than lolcats (not that lolcats aren’t terrifying)…
Anyway, thanks to Cory Doctorow, I’ve spent the last two days in a state of look-over-the-shoulder paranoia.
In the best possible way.
Time for a
(like they’re watching you. [Right now.])
It seems that quite a bit of dystopian sci-fi these days aren’t really plausible or even possible. In Little Brother, Doctorow builds a world that’s real enough to cause paranoia before you turn the lights out at night.
Cory Doctorow takes us inside a world of high school hackers. After a terrorist attack, San Francisco is under martial law. Everyone is monitored, everyone is watched, the Department of Homeland Security is off its leash.
Marcus Yallow uses all the technology at his disposal to mess with the government. When Big Brother is watching, who watches back? Little Brother. A wonderful, appropriate homage to George Orwell’s 1984.
While the political message is there, Doctorow tries to focus on the technological side of Yallow’s revolution, sometimes in long, meandering passages of techno-speak.
Some chapters got off point a time or two, and a few moments seemed out of character.
Little Brother is solid, disturbing, and deep. Not a light read, by any means, in the best possible way.
Libraries. You can’t live without them.
No, seriously. The success of cultures and societies can be directly linked to the flow of information. What made Rome so awesome? Roads.
You know, and maybe some other stuff, but it was mostly the roads.
I’ve been hunting the shelves for the past couple months. I’m actually very impressed by my local library’s YA collection. A whole room dedicated to the genre.
I picked up this little number on one of my expeditions. Without further ado, I give you:
(like you’re lost in the stacks)
I started this book, got to a chapter break, went online and started following Leah Cypess immediately.
For centuries, the kings of Samorna have depended upon the immortal Shifter for protection. When the Crown Prince Rokan ventures into the Mistwood to find the Shifter, she allows herself to be caught and brought back to the castle to begin her servitude. She becomes known as Lady Isabel at court to hide her true identity as the prince’s all powerful bodyguard.
The Shifter cannot remember anything of her previous dealings at court. Her memories begin to return, and her allegiance is torn.
This isn’t a werewolf thing, let me be clear on that. The Shifter can shift into anything, or part of anything. Say the hall’s too dark: she can shift just her eyes to a cat’s. This breaks away from the werewolf/shapeshifter idea from the beginning.
For some reason, I love incredibly powerful characters that are suddenly made helpless or ineffective against the dangers they must face.
Or, maybe I’m a sucker for memory loss. The reason for the memory loss is heartbreaking.
Either way, this book was a great fantasy piece in a well-developed world. I wish there were more.
In the first ten pages, you are thrust into a broken mind. You are stalked and hunted , injured, and trapped.
None of this is confusing. A great accomplishment, considering you enter without any information.
While some stories have a difficult time building empathy by starting with an action scene, this was brilliant. Confusion, terror, submission.
You should check it out.
I’m not afraid to admit it.
I’m a sucker for vampires (haha, bad pun), but seriously…
You really, really, really, really have to screw with the vampire myth to make me stop reading. Your vampires go out in sunlight? I’m cool with that. Your vampires are fat? I’m cool with that. Your vampires actually suck ink from books rather than blood from veins? Yep, I’m down with that. Hand it over.
Here’s a vampire book I picked up at the library, so, just a day after you thought I dropped out of the blogosphere forever, I bring you:
(I vant to suck your blood)
Not going to lie, (LaVar Burton would be disappointed) I chose this book because of its cover. I mean, look at that. I am a fan of raw and that looks RAW. Exposed. Vulnerable.
Now, I’m not a shallow person. Good writing is good writing is good writing. I would read a good book no matter what image was plastered on the front of it, but this sings to you from the shelves in a sort of visceral way that’s a little uncomfortable if you think about it too much.
And, then there’s the title, when matched with the cover, makes you a little queasy. Like you’re getting punched in the stomach.
The thing is: the significance of the throat comes up in the narrative. And, it’s awesome. Also, creepy.
R.A. Nelson spins the story of Emma. She’s 17 years old and is attacked by a vampire one evening. However, during the attack, she has a Grand Mal seizure, disrupting her attacker. While she has some sensitivity to sunlight, she gains all the strengths and none of the weaknesses.
In order to save her family, Emma runs away from home and takes up residence in an abandoned section of a NASA base and prepares to confront her attacker in order to return home without fear of him finding her and killing her family.
The book is lyrical, and smooth from start to finish. The romance is honest. While Emma starts out a bit unsympathetic, the reader quickly settles into the character’s mindset and discovers why she is what she is.
While Nelson brought in some great worldbuilding, there were new concepts being introduced late in the game that were unimportant to the story (unless there are plans on sequel, series, etc.). Whether red herring or makings of a series, some of the details were distracting in their lack of significance to the plot. You can usually weed out what can be ignored.
The first ten pages of Throat were like reading a poem. There was something in the rhythm, the imagery, and the vocabulary that swept me along to a point where I didn’t realize I was past ten pages until I was on twenty-five.
I’ve been gone so long, I forgot how to end these things so, um, here’s a bat.
I’m going to do it! I’m going to give something away on my blog! It’s a copy of Texas Gothic by Rosemary Clement-Moore. Why? Because you should read it.
And, filing this in the “easier to ask forgiveness” category, it will be signed.
By the author.
Not by me.
Sound good? Okay, I think the best way for you to do this is either:
A.) Impress me.
B.) Submit a comment and I’ll draw it out of a hat.
C.) Cast names on the floor and see which one my cat chooses.
Probably B. Let’s go with option B. My cat’s not a very nice person.
(let you get something for nothing)
Everybody has that normal one in the family. You know the one. She sort of holds everything together when your crazy aunt is off making potions and magic organic household products, shampoos, soaps, and hand sanitizers, and your genius sister is popping fuses every time she tries to test her latest invention.
She’s the responsible one. The one who answers the phone every time; the one with the normal future that doesn’t involve getting swept up in mystery; the one who does it because she loves you no matter how weird things get in the nuthouse.
That’s Amy Goodnight. She’s ranch-sitting for her aunt (and baby-sitting her brilliant but intellectually distracted sister). Until construction on a bridge unearths a body and a ghost won’t leave Amy alone. She struggles maintain her aura of normalcy in front of the neighbor cowboy, Ben *cat-growl* as well as the Anthropology crew that shows up to take care of the body.
Make that “bodies”. As the body count grows higher, Amy’s might be the next one to be buried if she can’t get the whole ghost thing under control.
There are goats climbing trees.
Leave a comment. How excited are you to get this book?
I made a promise, my followers, and I shall keep it.
A review of Leviathan.
I’ll use this space above the official header to talk about something that’s not the book.
Reading. I am passionate about reading (I know, right?). But, I’ve stopped referring to it as reading, because the actual translation of text to image (or sound, or taste, or smell) is only part of the process.
No, I don’t read. I commune. Say it with me. Let that ooooo roll off your tongue.
An author can only go so far. As the Consumer of Prose, the reader has a responsibility “to converse or talk together, usually with profound intensity, intimacy, etc.; interchange thoughts or feelings.”
If you aren’t willing to converse with the author, stop reading and wait for an attitude adjustment. Lord knows I’ve gone into books with a bad attitude. Doesn’t work out so well.
(like talking with someone who’s not in the room)
I liked this. I had no idea what to expect going in, but I liked the cover, I liked the map. I liked the fact that it had illustrations. This was something that I could slip on like a Snuggie and curl up in a chair with.
We bounce between two viewpoints. The first is Alek, an Austrian on the run from a war. The second is Deryn, a Brit crossing the channel to charge into the fray. Though this is billed as a YA, the characters did seem a bit immature at times. As the book progresses, the characters mature, sort of like real children of a war, so the early immaturity is understandable.
Now, don’t tell anyone I told you this, but…this is the first book that I wanted to immediately begin reading the sequel. No digestion time, no waiting, just jump into the next installment. Don’t misconstrue. Leviathan is a complete and satisfying story arc, but there are still loose ends, and I was invested.
However, I practiced self-control (and already blew my book budget for this month).
Like I said, I don’t read back covers anymore. I was really, really surprised.
You see, Leviathan is an alternative history and, being somewhat versed in what happened in our timeline, my mind kept jumping tracks (in the good way), something like this:
“Oh, I see…wait a minute. Wha…? Hold on a sec, that’s not how…oh.”
The technology is the major difference. Walkers and fabricated beasties. Clanker and Darwinist. Different enough, eh?
Another hook in the first ten (hey, this is my blog, I do what I want), is the sense of anxiety. We get about two pages of normal world, then, BAM, we’re running for our lives, and I’m huffing and puffing like Randy Parker stuffed inside his snowsuit (A Christmas Story reference in May; for shame).
Westerfield is a strong writer. The characters are good. There’s a gun in the room from chapter three that keeps drawing our attention until, well, never mind. I won’t let that slip.
It’s a quick read. Enjoy the illustrations, too. Those are nice.