IMDB Credits
Posted on September 3, 2013 Leave a Comment
In a little over a year of living in Los Angeles, I now have two official IMDB credits to my name. Check it out.
TMI Hollywood Video | Mon of Steel
Posted on July 30, 2013 Leave a Comment
I wrote and helped shoot this one.
http://www.funnyordie.com/videos/07eb8d6137/mon-of-steel
Pilot Reading Tonight
Posted on April 17, 2013 Leave a Comment
My sitcom pilot, The Fabulous Life of Arthur Watkins, is tonight.
Second City Hollywood at 6:30pm
Here’s all the media for it:
Reclusive author ML Reeves can’t keep it together. After her book series, The Fabulous Life of Arthur Watkins, hit the New York Times Bestseller list and stayed there, she’s been crushed by fame, movie contracts, and a rabid fan base. When a long stint of writer’s block has book five behind deadline, Arthur Watkins, the 15-year-old main character, appears to ML. But is he there to help or will he only make things worse?
Starring
Catherine Alter
Nina Berenfeld
A.S. Freeman
Mackenzie Horras
Patti Moore
Shawn Ryan
Melanie Specht
Travis Van Rijn
The Non-Adopters
Posted on April 11, 2013 1 Comment
I have a problem.
I’m not sure if it’s a generational thing. I mean, I’m friends with people from many generations, and it doesn’t strike me as a generational thing. Here it is:
Why doesn’t everyone use Google (or, God forbid, “The Google”)?
There seems to be a subset of humanity that actively refuses to embrace technology. And the thing that really gets me is that technology is supposed to make our lives easier. If it isn’t helping you, don’t use it.
Perhaps this has something to do with our gadget-obsessed society. It’s enough to own the bright, shiny toy. You don’t need to know how to use it. As long as you have it, your position in society is assured. We’ve replaced technological knowledge for the appearance of technological knowledge. “I have a smartphone, but I don’t know how to use it.”
I was so excited when Apple announced the iPad, because it was like someone announcing a Hitchhiker’s Guide to the Galaxy. Here was a handheld device (okay, maybe not palm size, but still reasonable) that had an almost guaranteed connection to the Internet. The Internet. The most complete compiling of human information so far. You want it? You can find it. Science fiction became science fact. Grab your towels.
Another thing about the iPad is that it has nearly limitless potential. Want to use it as a gaming device? Go for it. How about a medical aid for nurses and doctors? It can do that, too. I’ve been asked what an iPad does, which baffles me. You can use it as a musical instrument. You can use it to send text messages or talk on Skype. You can use it to create graphs and set up visual aids for meetings. You can use it to scan credit cards for your business. It can’t make you a cup of coffee, but it can tell you where to find some, and it get you one at Starbucks if you add money to the app.
The iPad, while a technological advancement, is also hailing back to the cave man. Here’s a stick. What does it do? It does whatever you can make it do.
Now, not everyone is ready for an iPad. I understand that. If it doesn’t somehow make life easier (again), you don’t need it.
I believe technology is the one of the foundations of human evolution. Before “I have a smartphone, and I don’t know how to use it” was “I have a rock, and I know how to use it.” Those must have been exciting times, when Caveman Jobs held an event with his turtleneck (made out of actual turtle?), and announced the rock. Maybe he was even responsible for the slingshot. Ridiculous scenario or not, human innovation cannot be denied as a major component of our development.
There’s this aspect of my personality that makes me undauntingly curious. If I want to know something, nothing will keep me from it. I will read the books, I will take the classes. If I had more time, I would study everything from Accounting to Yiddish Studies (yeah, it’s a thing) and everything in between. I understand on an intellectual level that not everyone shares this insatiable thirst for knowledge. Fortunately, I’m not related to any of those people. My parents, my siblings, my aunts, uncles, and more, all share my desire to learn.
The Internet is a portal into the garnering of information. (I don’t believe everything I read on the Internet; I’m just saying you can find factual pieces if you know where/how to look).
If I don’t know how to do something, my first instinct is to turn to Google.
Why doesn’t everyone do this?
You know another thing that’s great about Google? You can just type in your question, right into the box, and it gleans your meaning. How? They employ linguists who seem to have the ability to read minds. Their algorithms incorporate data from your history of searches. They look at the way other people have reacted who have performed similar searches. Google is trying to make your life easier. Embrace it.
I think these non-adopters are going to have a problem very shortly. Human technology is evolving alarmingly fast (not that you need to read any books on it). If you can’t keep up now, what happens when everyone is wearing Google Glass? What happens when we develop a way to store our thoughts instantaneously to the cloud?
Human evolution is so closely linked with our development of better tools, it’s possible the swift development of technology could lead to species directed evolution. Yes, our tools now could determine the future of the human race.
So, get on board. The spaceship is leaving without you.
P.S. I’m ready for my nanite injection, Mr. DeMille.
I’m Judging You (Or The Other Side of the Rejection Letter)
Posted on April 8, 2013 Leave a Comment
We held auditions for the stage read of my pilot this weekend (it’s at 6:30 on April 17th at Second City Hollywood and you’ll see two shows for the low, low price of FREE!) and these auditions put me on the other side of throwing yourself at the mercy of someone else’s judgement.
It’s not easy being an actor. We had 39 people show up.
There are 8 people in my pilot.
One of them only exists off-stage. That’s right. I’ve cut the story down to the essentials (how many people are in an episode of The Big Bang Theory? You’ve gotta keep it tight). Now, there are a few non-speaking roles in there. The first scene takes place at the Hugo Awards, so you would presumably have a whole audience in there somewhere.
But, they don’t talk.
On top of that, I already had two of my characters cast from people I know from the show I write for at Second City.
It was a little ridiculous. Even I was getting nervous about auditions and all I had to do was sit at a table and watch. It’s hard to imagine how they feel. Worse, you’re throwing yourself at the mercy of someone’s highly subjective opinion, someone who has a look, a style, a character, in mind and you need to rock it. I only write down you’re name if you’re interesting. I only remember you if you impressed me. The first thing that goes out the window is “Nice.” I can’t waste too much time saying how wonderful everyone is. I have to get down to it.
There were a few people I saw that I thought, “It’s too bad that I don’t have a part for you.” Literally. Out of eight characters, three of them are male, and one of them can’t be half-assed or borderline. You have to rock it.
You have to either read my mind or change it.
Here’s what I learn from having to drop the gavel:
1.) Sometimes, it’s how you look.
I need a 15 year old boy. But, the character is so important, I didn’t want to cast a 15 year old (everyone on Glee is in their 20’s, so you can get away with it). If you look like you’ve walked a hard road to 30, it’s a hard sell, even when it’s just a read.
2.) Sometimes, it doesn’t matter how you look.
One guy, clearly older than 25, read for the 15 year old character and nailed it. So, he didn’t perfectly fit the role as far as looks were concerned. He hit the important part, which was in the attitude and the speech pattern. He brought something to it. What I’m saying is you can change someone’s mind.
3.) Go all out.
I can’t imagine how nervous you are. Whenever I submit my stories to agents, it’s always from behind a computer screen where I can listen to Take A Chance On Me or Maybe This Time and dance around in my pajamas, because I’m a writer and that’s pretty much what we do. I’ve had pitches with agents in the past, but even those were one on one. It’s not as terrible as standing in a line with 7 other people. The person who ended up as my lead took the direction I gave her and made something out of it, even in a three page scene. I was able to look at her reading the role and think, “I never saw the character this way, but, damn, it works.”
4.) Don’t be cocky.
Sometimes, you have to psych yourself up. I get that. I’ve performed live before and ten minutes before every show, I had to sequester myself and talk myself into it. I had to amp up. I had to get ready. I’m an introvert, so I could keep that amping up in my head.
Don’t do it out loud.
Please.
If saying you’re going to fucking rock these auditions is what gets you into the room and gets you psyched, great. Don’t do it in front of the people in charge of the auditions. They don’t all think you’re psyching yourself up. Some of them think you’re just being a jerk.
If you are just being a jerk, stop. STAHP.
5.) Bring a headshot.
It’s LA. You should have one.
Even if they don’t ask you to bring one, you should bring one. A little professional can go a long way. If you single yourself out, maybe you don’t need one. But, you should have one. It’s like bringing a resume to a job interview. Yeah, you already sent one, but maybe they didn’t feel like printing it out. And, it’s easy to say, “Would you like a copy of my resume?” They can say no if they’ve got one. If they don’t, you’ve already set yourself apart from everyone who forgot theirs.
I know rejection sucks. I’ve been there about 120 times in the last 2 years, and those are the ones that bothered to answer.
You can do one of two things:
Keep going
or
Quit.
So, it’s up to you.
What’s the next step?







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