A short post…
If you follow me on social media, you will already know this, but here’s an update.
I have a book deal with Entangled Publishing.
My book will be out on digital in April 2020. Stay tuned here for updates i.e. covers, info, appearances, sage advice.
Follow me on my social sites, where I am much more regular in my posting.
Just because we like something does not mean that we shouldn’t be critical of it. In general, I like the United States Government. I reap the benefits of centralized government. This does not mean I should just sit back and let them do what they want because I generally agree. I need to remain critical of how the country is managed.
As far as The Hunger Games is concerned, it isn’t the most perfect book ever written. The sequel and third books are on my list, but I’m not rushing off anywhere to obtain a copy. The over-hyped movie has made me frustrated with social media, as it fills both my Facebook and Twitter feeds with such gems as “OMG!! NEW HUNGER GAMES TRAILER!!1!1!!!” over and over. Stop telling me it’s the next Harry Potter. Stop telling me it’s the next Twilight.
Isn’t there anything else going on? Can we talk about something else? Oh, God, now they mentioned Rick Santorum…
Surprisingly, that’s not what this post is about.
At work this weekend, I was sitting in the break room with two coworkers, let’s call them Jo and Abner. Abner asks if he should read The Hunger Games. Poor Abner. He has been swept away by the hype and believes he is missing out on some big secret that everyone else is in on. There is a chunk of cultural literacy missing from his brain. Additionally, Abner suffers from YAphobia (a form of genre-phobia) that means he won’t even open the cover of a book that is considered “Young Adult”. Abner isn’t alone. A great many people won’t venture out of their preferred genres.
(This isn’t necessarily a bad thing. As long as you’re reading, does it really matter what? Just be aware that you are most likely missing out on fantastic storytelling.)
Instead of letting Jo, who is quite taken with The Hunger Games, take over, I decided to offer a less biased viewpoint.
Me: “Do you want to read it?” This is essential. If you don’t want to read it, then don’t. If you don’t think you’ll enjoy it, don’t read it.
“Do you want to read The Hunger Games?”
“I guess. I mean, the preview makes it look pretty weird.”
I explain that the thing that made it enjoyable (for me) was more concept than story. A group rebelled against the government, they lost, now the government kills the rebels’ children. Wait, no, it’s actually worse than that. The government takes their children, and forces the kids to kill each other while the entire nation watches. Oh, and guess what? Whoever wins gets to eat.
Yeah, when you put it that way, it’s really cool. Does that interest you? Evil governments kidnapping children and making them kill each other on national television? Where do I sign up?
Abner decided he’d take a look at it.
As I left the break room, Jo caught up with me and said, “So, you really did like it?”
“I told you I did.”
I think this is a problem, this idea that we can’t examine things we enjoy through a critical lens without being accused of hypocrisy. Let me point out that Harry Potter was just a kid and was almost killed at least once a year at the most secure place in the wizarding world, Dobby was the Jar Jar Binks of the HP film franchise, and Hermione was clearly a Ravenclaw.
Twilight…nope. I’m not going there.
But, hey, if you have some time and need something to read, go ahead and take a look at The Hunger Games.
Also, I think the movie will be fantastic.
Do you ever feel like someone is watching you?
I’m talking about something more frightening than lolcats (not that lolcats aren’t terrifying)…
Anyway, thanks to Cory Doctorow, I’ve spent the last two days in a state of look-over-the-shoulder paranoia.
In the best possible way.
Time for a
(like they’re watching you. [Right now.])
It seems that quite a bit of dystopian sci-fi these days aren’t really plausible or even possible. In Little Brother, Doctorow builds a world that’s real enough to cause paranoia before you turn the lights out at night.
Cory Doctorow takes us inside a world of high school hackers. After a terrorist attack, San Francisco is under martial law. Everyone is monitored, everyone is watched, the Department of Homeland Security is off its leash.
Marcus Yallow uses all the technology at his disposal to mess with the government. When Big Brother is watching, who watches back? Little Brother. A wonderful, appropriate homage to George Orwell’s 1984.
While the political message is there, Doctorow tries to focus on the technological side of Yallow’s revolution, sometimes in long, meandering passages of techno-speak.
Some chapters got off point a time or two, and a few moments seemed out of character.
Little Brother is solid, disturbing, and deep. Not a light read, by any means, in the best possible way.
Libraries. You can’t live without them.
No, seriously. The success of cultures and societies can be directly linked to the flow of information. What made Rome so awesome? Roads.
You know, and maybe some other stuff, but it was mostly the roads.
I’ve been hunting the shelves for the past couple months. I’m actually very impressed by my local library’s YA collection. A whole room dedicated to the genre.
I picked up this little number on one of my expeditions. Without further ado, I give you:
(like you’re lost in the stacks)
I started this book, got to a chapter break, went online and started following Leah Cypess immediately.
For centuries, the kings of Samorna have depended upon the immortal Shifter for protection. When the Crown Prince Rokan ventures into the Mistwood to find the Shifter, she allows herself to be caught and brought back to the castle to begin her servitude. She becomes known as Lady Isabel at court to hide her true identity as the prince’s all powerful bodyguard.
The Shifter cannot remember anything of her previous dealings at court. Her memories begin to return, and her allegiance is torn.
This isn’t a werewolf thing, let me be clear on that. The Shifter can shift into anything, or part of anything. Say the hall’s too dark: she can shift just her eyes to a cat’s. This breaks away from the werewolf/shapeshifter idea from the beginning.
For some reason, I love incredibly powerful characters that are suddenly made helpless or ineffective against the dangers they must face.
Or, maybe I’m a sucker for memory loss. The reason for the memory loss is heartbreaking.
Either way, this book was a great fantasy piece in a well-developed world. I wish there were more.
In the first ten pages, you are thrust into a broken mind. You are stalked and hunted , injured, and trapped.
None of this is confusing. A great accomplishment, considering you enter without any information.
While some stories have a difficult time building empathy by starting with an action scene, this was brilliant. Confusion, terror, submission.
You should check it out.
I’m not afraid to admit it.
I’m a sucker for vampires (haha, bad pun), but seriously…
You really, really, really, really have to screw with the vampire myth to make me stop reading. Your vampires go out in sunlight? I’m cool with that. Your vampires are fat? I’m cool with that. Your vampires actually suck ink from books rather than blood from veins? Yep, I’m down with that. Hand it over.
Here’s a vampire book I picked up at the library, so, just a day after you thought I dropped out of the blogosphere forever, I bring you:
(I vant to suck your blood)
Not going to lie, (LaVar Burton would be disappointed) I chose this book because of its cover. I mean, look at that. I am a fan of raw and that looks RAW. Exposed. Vulnerable.
Now, I’m not a shallow person. Good writing is good writing is good writing. I would read a good book no matter what image was plastered on the front of it, but this sings to you from the shelves in a sort of visceral way that’s a little uncomfortable if you think about it too much.
And, then there’s the title, when matched with the cover, makes you a little queasy. Like you’re getting punched in the stomach.
The thing is: the significance of the throat comes up in the narrative. And, it’s awesome. Also, creepy.
R.A. Nelson spins the story of Emma. She’s 17 years old and is attacked by a vampire one evening. However, during the attack, she has a Grand Mal seizure, disrupting her attacker. While she has some sensitivity to sunlight, she gains all the strengths and none of the weaknesses.
In order to save her family, Emma runs away from home and takes up residence in an abandoned section of a NASA base and prepares to confront her attacker in order to return home without fear of him finding her and killing her family.
The book is lyrical, and smooth from start to finish. The romance is honest. While Emma starts out a bit unsympathetic, the reader quickly settles into the character’s mindset and discovers why she is what she is.
While Nelson brought in some great worldbuilding, there were new concepts being introduced late in the game that were unimportant to the story (unless there are plans on sequel, series, etc.). Whether red herring or makings of a series, some of the details were distracting in their lack of significance to the plot. You can usually weed out what can be ignored.
The first ten pages of Throat were like reading a poem. There was something in the rhythm, the imagery, and the vocabulary that swept me along to a point where I didn’t realize I was past ten pages until I was on twenty-five.
I’ve been gone so long, I forgot how to end these things so, um, here’s a bat.
I’m going to do it! I’m going to give something away on my blog! It’s a copy of Texas Gothic by Rosemary Clement-Moore. Why? Because you should read it.
And, filing this in the “easier to ask forgiveness” category, it will be signed.
By the author.
Not by me.
Sound good? Okay, I think the best way for you to do this is either:
A.) Impress me.
B.) Submit a comment and I’ll draw it out of a hat.
C.) Cast names on the floor and see which one my cat chooses.
Probably B. Let’s go with option B. My cat’s not a very nice person.
(let you get something for nothing)
Everybody has that normal one in the family. You know the one. She sort of holds everything together when your crazy aunt is off making potions and magic organic household products, shampoos, soaps, and hand sanitizers, and your genius sister is popping fuses every time she tries to test her latest invention.
She’s the responsible one. The one who answers the phone every time; the one with the normal future that doesn’t involve getting swept up in mystery; the one who does it because she loves you no matter how weird things get in the nuthouse.
That’s Amy Goodnight. She’s ranch-sitting for her aunt (and baby-sitting her brilliant but intellectually distracted sister). Until construction on a bridge unearths a body and a ghost won’t leave Amy alone. She struggles maintain her aura of normalcy in front of the neighbor cowboy, Ben *cat-growl* as well as the Anthropology crew that shows up to take care of the body.
Make that “bodies”. As the body count grows higher, Amy’s might be the next one to be buried if she can’t get the whole ghost thing under control.
There are goats climbing trees.
Leave a comment. How excited are you to get this book?